In September 2016, I was picked up from my university apartment in Enugu by members of the now ���defunct��� Special Anti-Robbery Squad (SARS) with a gun pointed at my face. My crime? I lived in the same building as an alleged cultist. That Saturday was one of the scariest moments of my life, only to be rivalled by the time gun-wielding police officers chased me during the #EndSARS protests.
Going into Bolanle Austen-Peters��� new Netflix film, Collision Course, I knew I would be triggered. The film���s promotional narrative sold it as a story attempting to hold a mirror to society, with a heavy focus on police brutality and its impact on Nigerians like me. And yes, I did get triggered watching Collision Course, but not for the reasons you���d expect.
Collision Course introduces its protagonist, Mide (Daniel Etim Effiong), with a situation that feels all too familiar to young Nigerians. On a night ride, Mide is kidnapped by the film���s version of SARS (TARZ), beaten and extorted. The events of that night leave him traumatised until another encounter with a local police officer (Kelechi Udegbe) changes his life forever.
While Collision Course starts on the right, albeit traumatic foot, the film quickly turns away from Mide���s life to focus on the police officer who kills him, Corporal Magnus. If trenches were to be captured on film, Magnus��� house and family life would do it justice. From a dilapidated structure and bowls of garri to a ���nagging��� wife, Collision Course tries to convince us that Magnus is really going through it and is a victim of his circumstance. The pity party for Magnus is so intense that by the time Mide dies, you���re supposed to pity both the murderer and the murdered..
This pity party for Corporal Magnus is one of Collision Course���s biggest flaws.
Despite a rousing effort by Daniel Ettim Effiong to make Mide feel real, the film���s script works as an opp. Corporal Magnus gets a well-rounded story arc to get the audience to understand his motives, but Mide doesn���t feel like a real person. What millennial performs dead rap music with an Afro wig at Quilox in the year of our lord, 2022?
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There���s no gainsaying Nigeria is messed up. We all live here. But Collision Course���s attempt to all-lives-matter one of Nigeria���s most unfortunate social problems with rogue law enforcement makes it a project. It���s not trying to hold the police system accountable, it���s a contrived attempt to get people to ���understand��� their side, and that���s just fucked up.
Two other things stick out like sore thumbs in Collision Course. In the film���s climax, Corporal Magnus kills Mide by accidental discharge, a move by the film itself to avoid accountability. If Corporal Magnus had let Mide go, perhaps Nigerians would���ve called the film out for not being true to reality. But if he had taken a clean shot at Mide, it would���ve been an outright call out of the Nigerian Police Force. So Collision Course took the easy ��� too easy ��� way out: an accidental discharge which still leaves Corporal Magnus as a victim even though he called his friends at TARZ to finish up the job.
The other upsetting part of Collision Course is the team���s decision to slap scenes from real #EndSARS protests at the end of the film. Why use actual footage of a real situation when you���re clearly not on the side of the movement?
In Collision Course, police officers and citizens are the same, equals even. After all, we���re all being fucked over by a corrupt system. But how can I be equal with someone holding an assault rifle? How is the power dynamic balanced when a police man can shoot me and walk away scot free?��
Once you have a gun, it doesn���t matter who our mutual oppressor is, we���re not on the same side level.��
We���ve been asked to applaud Collision Course for making an ���effort���. But as someone who���s suffered at the hands of men like Corporal Magnus and TARZ, I think I���ll save my applause. I don���t get the concept of approaching a topic if you���re not ready to have a real conversation. No one is asking for a perfect story, but we also don���t deserve to have our trauma harvested and used for profit without us getting anything in return.
There���s an ongoing conversation about how Collision Course tries but fails actually to say anything, but I think that���s false. Collision Course says a lot, it just happens to be saying all the wrong things, and that���s even worse than saying nothing at all.
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